THE SUN HOTEL, DEDHAM, 1954
I wake to the hysteria
of bells - medieval laughter
out of my stained glass dream.
Paddling Daddy's slippers
across bare boards
(as black and ancient as the mud
that silts up the Stour),
I reach the leaded window.
Beyond, the church squats on its bones,
brooding music. Hymns are hatched
stillborn; organ voices rage in vain,
quelled by the crowing of the bells.
The street in both directions
is innocent of cars. Phantom mist -
an atavistic veil - blurs outlines:
passers-by are cloaked and cowled,
pacing the tracks and byways
of their ancestors.
My child's breath smokes
the glass. Morning thickens;
even the light seems ancient now.
Yawning, I curl back
into a tumulus of sheets.
The bells cascade, mocking the shape
of my few years. I sleep again
and now, in the mapless dark,
my green heart beats faster.
Mine is the steady pulse
that animates this room;
its beams draw new sap
from my source. Plaster,
lath and tiles expand;
the house tests its roots.
The bells rejoice a continuity of mornings.
This, the moment and the lost years
are swallowed in their shining.
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